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Assuredly, the philosopher who discovered that we must become as little children again if we would be philosophers, is the one to whom we may relate Traherne, but not Berkeley. And if we wish to speak of Traherne, as Dobell tried to do, we speak correctly only if we call him a 'Reidean before Reid was born'.

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A little more than a hundred years after Thomas Traherne taught his fellow-men 'from experience' that there is an original condition of man's soul, before it is yet able to prize 'those living stars, mine eyes', in which it is endowed with the faculty to see 'the true (fair) Ideas of all things', Goethe was led to the realization that he had achieved the possibility of 'seeing Ideas with the very eyes'. Although he was himself not aware of it, the conception of the Idea was at this moment restored through him to its true and original Platonic significance.

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The present chapter has shown us how this conception of the Idea is bound up with the view that is held of the relationship between human nature in early childhood and human nature in later life. We have seen that, when Plato introduced the term Idea as an expression for spiritual entities having a real and independent existence, men were still in possession of some recollection of their own pre-earthly existence. We then found Traherne saying from his recollections that in the original form of man's consciousness his soul is endowed with the faculty of seeing 'true' Ideas, and we found Reid on similar grounds fighting the significance which the term 'idea' had assumed under his predecessors. By their side we see Goethe as one in whom the faculty of seeing Ideas appears for the first time in adult man as a result of a systematic training of observation and thought.

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If our view of the interdependence of the Platonic conception of the Idea with the picture man has of himself is seen rightly, then Goethe must have been the bearer of such a picture. Our expectation is shown to be right by the following two passages from Goethe's autobiography, Truth and Fiction.

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'Who is able to speak worthily of the fullness of childhood? We cannot behold the little creatures which flit about before us otherwise than with delight, nay, with admiration; for they generally promise more than they perform and it seems that nature, among the other roguish tricks that she plays us, here also especially designs to make sport of us. The first organs she bestows upon children coming into the world, are adapted to the nearest immediate condition of the creature, which, unassuming and artless, makes use of them in the readiest way for its present purposes. The child, considered in and for itself, with its equals, and in relations suited to its powers, seems so intelligent and rational, and at the same time so easy, cheerful and clever, that one can hardly wish it further cultivation. If children grew up according to early indications, we should have nothing but geniuses.'9

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We find further evidence in Goethe's account of an event in his seventh year, which shows how deeply his soul was filled at that time with the knowledge of its kinship with the realm from which nature herself receives its existence. This knowledge led him to approach the 'great God of Nature' through an act of ritual conceived by himself. The boy took a four-sectioned music stand and arranged on it all kinds of natural specimens, minerals and the like, until the whole formed a kind of pyramidal altar. On the top of this pyramid he placed some fumigating candles, the burning of which was to represent the 'upward yearning of the soul for its God'. In order to give nature herself an active part in the ritual, he contrived to kindle the candles by focusing upon them through a magnifying-glass the light of the rising sun. Before this symbol of the unity of the soul with the divine in nature the boy then paid his devotions.

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'Unity of the soul with the divine in nature' - this was what lived vividly as a conviction in the seven-year-old boy, impelling him to act as 'nature's priest' (Wordsworth). The same impulse, in a metamorphosed form, impelled the adult to go out in quest of an understanding of nature which, as Traherne put it, was to bring back through highest reason what once had been his by way of primeval intuition.