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When Kepler declared himself in favour of the heliocentric aspect, as indicated by Copernicus, he acknowledged that the universe had grown dumb for man’s inner ear. Yet, besides his strong impulse to meet the true needs of his time, there were inner voices telling him of secrets that were hidden behind the veil woven by man’s physical perceptions. One of these secrets was the musical order of the world. Such knowledge, however, could not induce him to turn to older world-conceptions in his search for truth. He had no need of them, because there was yet another voice in him which told him that the spiritual order of the world must somehow manifest itself in the body of the world as it lay open to physical perception. Just as a musical instrument, if it is to be a perfect means of bringing forth music, must bear in its build the very laws of music, so must the body of the universe, as the instrument on which the harmonies of the spheres play their spiritual music, bear in its proportions a reflexion of these harmonies. Kepler was sure that investigation of the world’s body, provided it was carried out by means of pure observation, must needs lead to a re-establishment of the ancient truth in a form appropriate to the modern mind. Thus Kepler, guided by an ancient spiritual conception of the world, could devote himself to confirming its truth by the most up-to-date methods of research. That his search was not in vain, our examination of the third law has shown.

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c20p113-both

When Kepler declared himself in favour of the heliocentric aspect, as indicated by Copernicus, he acknowledged that the universe had grown dumb for man's inner ear. Yet, besides his strong impulse to meet the true needs of his time, there were inner voices telling him of secrets that were hidden behind the veil woven by man's physical perceptions. One of these secrets was the musical order of the world. Such knowledge, however, could not induce him to turn to older world-conceptions in his search for truth. He had no need of them, because there was yet another voice in him which told him that the spiritual order of the world must somehow manifest itself in the body of the world as it lay open to physical perception. Just as a musical instrument, if it is to be a perfect means of bringing forth music, must bear in its build the very laws of music, so must the body of the universe, as the instrument on which the harmonies of the spheres play their spiritual music, bear in its proportions a reflexion of these harmonies. Kepler was sure that investigation of the world's body, provided it was carried out by means of pure observation, must needs lead to a re-establishment of the ancient truth in a form appropriate to the modern mind. Thus Kepler, guided by an ancient spiritual conception of the world, could devote himself to confirming its truth by the most up-to-date methods of research. That his search was not in vain, our examination of the third law has shown.
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One thing, however, remains surprising – that Kepler announced his discovery in the form in which it has henceforth engraved itself in the modern mind, while refraining from that analysis of it which we have applied to it here. Yet, in this respect also Kepler proves to have remained true to himself. There is, on the one hand, the form in which Kepler pronounced his discovery; there is, on the other, the context in which he made this pronouncement. We have already pointed out that the third law forms part of Kepler’s comprehensive work, Harmonices Mundi. To the modern critic’s understanding it appears there like an erratic block. For Kepler this was different. While publishing his discovery in precisely the form in which it is conceived by a mind bent on pure observation, he gave it a setting by which he left no doubt as to his own conception of its ideal content. And as a warning to the future reader not to overlook the message conveyed by this arrangement, he introduced the section of his book which contains the announcement of the law, with the mysterious words about himself: ‘I have stolen the golden vessels of the Egyptians from which to furnish for my God a holy shrine far from Egypt’s confines.’

chapter_20_merge_container

c20p114-both

One thing, however, remains surprising - that Kepler announced his discovery in the form in which it has henceforth engraved itself in the modern mind, while refraining from that analysis of it which we have applied to it here. Yet, in this respect also Kepler proves to have remained true to himself. There is, on the one hand, the form in which Kepler pronounced his discovery; there is, on the other, the context in which he made this pronouncement. We have already pointed out that the third law forms part of Kepler's comprehensive work, Harmonices Mundi. To the modern critic's understanding it appears there like an erratic block. For Kepler this was different. While publishing his discovery in precisely the form in which it is conceived by a mind bent on pure observation, he gave it a setting by which he left no doubt as to his own conception of its ideal content. And as a warning to the future reader not to overlook the message conveyed by this arrangement, he introduced the section of his book which contains the announcement of the law, with the mysterious words about himself: 'I have stolen the golden vessels of the Egyptians from which to furnish for my God a holy shrine far from Egypt's confines.'