What Goethe says here calls for the following comparison. We can say that nature seen through Bacon’s eyes appears as if painted on a two-dimensional surface, so that all its facts are seen alongside each other at exactly the same distance from the observer. Goethe, on the other hand, ascribed to the human spirit the power of seeing the phenomenal world in all its three-dimensional multiplicity; that is, of seeing it in perspective and distinguishing between foreground and background.⁴ Things in the foreground he called ur-phenomena. Here the idea creatively determining the relevant field of facts comes to its purest expression. The sole task of the investigator of nature, he considered, was to seek for the ur-phenomena and to bring all other phenomena into relation with them; and in the fulfilment of this task he saw the means of fully satisfying the human mind’s need to theorize. He expressed this in the words, ‘Every fact is itself already theory’. In Goethe’s meteorological studies we have a lucid example of how he sought and found the relevant ur-phenomenon. It is the breathing-process of the earth as shown by the variations of barometric pressure.