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In discussing Howard’s discovery of the stages of cloud-formation we found something lacking, for it was clear that the three stages of cloud proper – stratus, cumulus and cirrus – have a symmetry which is disturbed by the addition of a fourth stage, represented by the nimbus. This showed that there was need for a fifth stage, at the top of the series, to establish a balanced polarity. We can now clear up this question of a fifth stage, as follows.

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Tested from a view-point outside the onlooker-consciousness, this whole picture of the interaction between matter and heat appears to run counter to the cosmic order of things in a way typical of other spectator-theories. Ancient man, if confronted with this picture, would have said that it means explaining the element Fire by the quality Cold. For each of those minute particles, in its solidity and state of spatial separation from the others, represents an effigy of the earth and thereby the element Earth itself. He would be unable to understand why phenomena of the ‘warm’ element Fire should be explained by its very opposite. Moreover, Fire forms part of the ever ‘youthful’ realm of the world, whereas anything which exists as a spatially discernible entity, capable of being moved about mechanically, must have grown cosmically ‘old’.

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Scarcely had this thought passed through his mind than it induced another – that of a universal interrelationship between all possible forms of energy. This last idea so took possession of him that during the return voyage, as he himself related, he could scarcely think of anything but how to prove the correctness of his idea and what the consequences would be for the general view of nature. From the moment of his return he devoted his life to practical research into the connexion between the various manifestations of energy. It was in this way that he was led to the determination of the so-called mechanical equivalent of heat, shortly before the same discovery was made in a quite different manner by Joule.

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How does thermal expansion read as a letter in nature’s script when seen in the light of the two contrasting field-concepts?

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The plant which performs this strange feat is the Tillandsia usneoides, indigenous to tropical America, and generally known as ‘Spanish Moss’. Its peculiarity is that it grows and flourishes without taking from its support any material whatsoever for the building up of its substance. Its natural habitat is the dry bark of virgin forest trees. Since civilization invaded its home it has acquired the habit of growing even on telegraph wires, which has given it the popular name of ‘telegraph tresses’. Chemical analysis of this plant shows the presence of an average of 17 per cent iron, 36 per cent silicic acid and 1·65 per cent phosphoric acid. This applies to samples taken from districts where the rainwater – the only source from which the plant could extract these substances in physical form – contains at most 1·65 per cent iron, 0·01 per cent silicic acid and no phosphoric acid at all.

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In the three actual cloud-forms, gravity and levity are more or less in equilibrium, but in the nimbus gravity predominates, and the atmospheric vapour condenses accordingly into separate liquid bodies, the drops of rain. The polar opposite of this process must therefore be one in which cloud-vapour, under the dominating influence of levity, passes up through a transitional condition into a state of pure heat.

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For the physicist, accustomed to a purely quantitative observation of nature, it is difficult to comprehend that Mayer could have arrived at the thought of a constant quantitative relation between the various manifestations of natural energy, without deriving from it the conviction of their qualitative indentity – i.e., without concluding from the existence of the mechanical heat – equivalent that heat is itself nothing else than a certain form of spatial movement. Mayer actually had a picture directly contrary to the mechanistic conception. For him, the arising of heat represented a disappearance of mechanical energy.

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If one considers how slender a connexion there was between Mayer’s observation on the sailors in Java and the idea of the quantitative equilibrium of all physical nature-forces, and if one contrasts this with the fanaticism he showed during the rest of his life in proving against all obstacles the correctness of his idea, one must feel that the origin of the thought in Mayer’s mind lay elsewhere than in mere physical observations and logical deductions. Confirmation of this may be found in what Mayer himself declared to be his view concerning the actual grounds for the existence of a constant numerical association between the various manifestations of natural energy.

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Let us, for simplicity’s sake, imagine a spherically shaped metallic body, say, a ball of copper, which we expose to the influence of heat. As we have seen, it is the centrically orientated gravity-field which gives the ball its permanency of shape. Consequently, the dynamic orientation of the material constituting its body is directed towards the interior of the body itself.

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The Tillandsia phenomenon is to a certain extent reminiscent of another well-known plant activity. This is the process of assimilation of carbon from the carbon dioxide of the air. If we leave aside the change in the chemical combination which the carbon undergoes, there remains the picture of the plant drawing this matter to itself from its environment and at the same time subjecting it to a spatial condensation. A similar but even more far-reaching process is exhibited by the Tillandsia as regards the three substances referred to above. From the conditions given, it follows that the plant cannot possibly get these substances elsewhere than out of the surrounding atmosphere, and that in drawing upon them it submits them to a high degree of condensation. A special role, however, is played by the phosphorus, which shows that the assimilative power of the plant is sufficient to transform phosphorus from a physically not traceable state into one of spatially bounded materiality. Following Goethe in his coining of the concept of ‘spiritual anastomosis’ for the pollinating process of plants, we can here speak of ‘spiritual assimilation’.