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How at this stage the soul experiences the act of perception in itself is shown in the following passage from the poem Wonder:

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The second of these paragraphs describes the phenomenon of vascular anastomosis which, having already been more than once an object of our study, here reveals a new meaning. If, following Goethe’s method, we re-create in our mind the repeated separations and reunions of the sap-vessels, while keeping in view the fact that the leaf’s outer form is the result of a purposive, many times repeated anastomosis, then the picture of the activity of weaving arises before our mind’s eye. (Hence the word ’tissue’ for the flesh of a living being.) In truth all nature’s forms are woven of light, including the crystals.3

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Everything that is true of the supersensible sphere we may expect to come to expression in some form in the world of sense-perception. The sphere of the ether is the sphere of the creative archetypes of the world, and when we learn that to one part of this world the character of sound is attributed, we must search for a phenomenon, perceptible to our senses, which reveals to us the secret of the sound’s form-creating power. This we have in the so-called sound-figures, discovered by the German physicist Chladni (1756-1827) and called after him ‘Chladni’s sound-figures’. A short description of how they are produced will not be out of place.

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Let us be quite clear that the relationship of unity to plurality in the case of the five apples is totally different from what it is in the fivefold pericarp. In the first case unity is the smallest quantity represented by each of the five apples. There, the step from one to two is made by joining together two units from outside. The path from one to many is by way of continuous addition. In the second case the unity is represented by the pericarp – i.e. by the one comprising the many, the latter appearing as parts of the whole. In such a case two is part of one and so are three, four, five, etc. Plurality arises from a continuous process of division of unity.

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The assurance we want will be found in two characteristics of the communications made by Rudolf Steiner from his researches. The content of these communications was acquired by way of a ‘reading’ which is nothing but a higher metamorphosis of the reading first employed by Goethe; and the acceptance of this content by another mind is itself nothing but another act of reading, save that the direction of the reading gaze differs from the usual one.

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‘A Nativ Health and Innocence
Within my Bones did grow
And while my God did all his Glories show

I felt a vigour in my Sense
That was all SPIRIT: I within did flow
With seas of Life like Wine.’

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How clear a picture Goethe had of the conformity of man’s act of thinking with nature’s way of producing her forms – both being an act of supersensible weaving – is shown by the following two verses. That on the left is a passage from Faust, from the scene in which Mephisto (disguised as Faust) instructs the young Scholar. The other is an altered version of it, written by Goethe at a later time to conclude an essay (Bedenken und Ergebung) in which he deals with the problem of the relation between Experience and Idea:

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A round or square plate of glass or brass, fixed at its centre so that it can vibrate freely at its edges, is required. It is evenly and not too thickly covered with fine sand or lycopodium powder and then caused to vibrate acoustically by the repeated drawing of a violin-bow with some pressure across the edge of the plate until a steady note becomes audible. Through the vibrations thus caused within the plate, the particles of sand or powder are set in movement and caused to collect in certain stationary parts of the plate, thereby creating
Lehrs_MoM-20.jpg

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The ancient world knew the idea of number only in the last-mentioned form. There unity appeared as an all-embracing magnitude, revealed through the Universe. The world’s manifoldness was felt to be not a juxtaposition of single things, externally connected, but the content of this unity, and therefore derived from it. This was expressed by the pre-Socratic Greek philosophers in the formula έν και Ïαν (the One and the All).