This is an aspect which was by no means unfamiliar to ancient man. It was naturally lost when the onlooker-consciousness awoke. In this respect it is of historical significance that the same man, G. A. Borelli (1608-79), a member of the Florentine Academy, who was the first to inquire into the movements of the animal and human body from a purely mechanical point of view, made the first attempt to deduce the planetary movements from a purely physical cause.³ Through this fact an impulse comes to expression which we may term Contra Animam, and against which we have to put our Pro Anima, in much the same way that we put our Pro Levitate against the Contra Levitatem call of the Florentine Academicians.

Let us start with the astral forces corresponding to the three cosmic bodies nearest to the earth - Moon, Mercury, Venus. Their activity can be discerned, for example, by watching the successive stages of plant development - the formation of the sap-bearing parts; the flower-substance already partly transformed into aeriform condition; finally the propagating processes which belong essentially to the sphere of activity of the warmth-ether.⁶ In the human organism we find the same sequence in the step-by-step transformation of nutriment right up to the moment when earthly form passes into chaos, as we learnt previously. The so-called enzyme action, ascribed by physiology to the various digestive juices, is in reality the product of an activity of the lower part of man's astral organization, for which the relevant juices exercise the function of physical 'carriers'. In the field of macrotelluric phenomena, the metamorphosis of the atmospheric moisture extending beyond the different cloud-stages up to the stage of pure warmth is an example of the activity of the same forces.

The faculty of the mind which permits direct investigation of the astral realm was called (spiritual) Inspiration by Rudolf Steiner, who thereby restored to this term, also, its proper meaning. We have already indicated that this faculty resides in the sense of hearing in the same way that the faculty of Imagination - as we have found - resides in the sense of seeing. In order to understand why it is this particular sense which comes into consideration here, we have to consider that the phenomena through which the astral world manifests most directly are all of a rhythmic nature. Now, the sense through which our soul penetrates with direct experience into some outer rhythmic activity is the sense of hearing, our aural perceptions being conveyed by certain rhythmic movements of the air. In what follows we shall see how the study of both the outer acoustic phenomena and our own psycho-physical make-up in the region of the acoustic sense, leads to an understanding of the nature of Inspiration and of how it can be trained.

What we have here found to be the true role of the kinetic part of the acoustic process applies equally to sounds which are emitted by living beings, and to those that arise when lifeless material is set mechanically in motion, as in the case of ordinary noises or the musical production of tone. There is only this difference: in the first instance the vibrations of the sound-producing organs have their origin in the activity of the astral part of the living being, and it is this activity which comes to the recipient's direct experience in the form of aural impressions; in the second instance the air, by being brought externally into a state of vibration, exerts a kind of suction on the astral realm which pervades the air, with the result that parts of this realm become physically audible. For we are constantly surrounded by supersensible sounds, and the state of motion of the air determines which of them become perceptible to us in our present state of consciousness.

It is thus that we shall learn to hear the soul of the universe directly speaking to us, as Lorenzo divined it, when his love for Jessica made him feel in love with all the world, and he exclaimed:

Centripetal force:
P = am = 4ϲmr / t²

'By one pervading spirit
Of tones and numbers all things are controlled.'

It will help our further descriptions if we introduce at this point the name which Rudolf Steiner adopted for the type of forces we are concerned with here. In view of the fact that their origin lies in the extra-terrestrial realm of the universe, he called them 'astral' forces, thereby giving back to this term, also, its true and original meaning. It is under this name that we shall speak of them henceforth. To make ourselves more familiar with the character of the astral forces, it will be well to observe them first of all in their macrotelluric form of activity.

Within all three-stage transitions of this kind, the astral forces connected with the Moon preponderate during the first stage, those connected with Mercury during the second, those connected with Venus during the third. We have already come across some examples of the outstanding share taken by the Moon in the events of the earth's watery sphere. To these phenomena, which show by their rhythm their connexion with the Moon, we may add the fertility rhythm in the female human organism which coincides, not in phase but in duration, with the rhythm set by the Moon's course in the heavens. If we consider that the formation of a new human body in the womb needs the play of formative forces from out of the whole world environment, and that for this purpose matter must be brought into a receptive condition for these forces, then we can better understand the preparatory part played by the Moon-forces. In order, however, that the substance of the female germ should reach that condition of chaos suitable for embryonic development, there is still necessary the influence of the supra-lunar astral forces. Entry for these is provided by the union of the germ-cell with the male sperm-cell.⁷

Among all our sense-perceptions, sound is unique in making itself perceptible in two quite different ways - via the ear as a direct sense experience and via the eye (potentially also via the senses of touch and movement) in the form of certain mechanical movements, such as those of a string or a tuning fork. Hence the world-spectator, as soon as he began to investigate acoustic phenomena scientifically, found himself in a unique position. In all other fields of perception, with the exception of the purely mechanical processes, the transition to non-stereoscopic colourless observation had the effect that the world-content of the naive consciousness simply ceased to exist, leaving the ensuing hiatus to be filled in by a pattern of imagined kinematic happenings - for example, colour by 'ether'-vibrations, heat by molecular movements. Not so in the sphere of acoustics. For here a part of the entire event, on account of its genuine kinetic character, remains a content of actual observation.