c20p27 chapter_20_text

c20p27

From the point of view of the astral order of the universe, the earth appears in the centre of a number of force-fields which penetrate each other and in their peripheral region extend beyond one another in accordance with the respective orbits of the various planetary bodies. How many force-fields there are, and what is the respective character of each, will become clear from the following consideration, which will also provide the answer to the second of our three questions.

c20p47 chapter_20_text

c20p47

The faculty of the mind which permits direct investigation of the astral realm was called (spiritual) Inspiration by Rudolf Steiner, who thereby restored to this term, also, its proper meaning. We have already indicated that this faculty resides in the sense of hearing in the same way that the faculty of Imagination – as we have found – resides in the sense of seeing. In order to understand why it is this particular sense which comes into consideration here, we have to consider that the phenomena through which the astral world manifests most directly are all of a rhythmic nature. Now, the sense through which our soul penetrates with direct experience into some outer rhythmic activity is the sense of hearing, our aural perceptions being conveyed by certain rhythmic movements of the air. In what follows we shall see how the study of both the outer acoustic phenomena and our own psycho-physical make-up in the region of the acoustic sense, leads to an understanding of the nature of Inspiration and of how it can be trained.

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c20p66 chapter_20_text

c20p66

The picture we have thus received of the outer part of the acoustic process has a counterpart in the processes inside the organ of hearing. Hearing, like seeing, depends upon the co-operation of both poles of the human organism-nerve and blood. In the case of hearing, however, they play a reversed role. In the eye, the primary effect of light-impressions is on the nervous part; a secondary response to them comes from the blood organization. In the ear, the receptive organ for the astral impulses pressing in upon it is a part which belongs to the body’s limb system, while it is the nervous organization which functions as the organ of response. For in the ear the sound-waves are first of all taken over by the so-called ossicles, three small bones in the middle ear which, when examined with the Goethean eye, appear to be a complete metamorphosis of ah arm or a leg. They are instrumental in transferring the outer acoustic movements to the fluid contained in the inner ear, whence these are communicated to the entire fluid system of the body and lastly to the muscular system.9 We shall speak of this in detail later on. Let it be stated here that the peculiar role played by the larynx in hearing, already referred to by us in Chapter XVI, is one of the symptoms which tells of the participation of the muscular system in the internal acoustic process.

c20p84 chapter_20_text

c20p84

Goethe possessed a sensitive organ for the historical appropriateness of human ideas. As an illustration of this it may be mentioned how he reacted when someone suggested to him that Joachim Jungius – an outstanding German thinker, contemporary of Bacon, Van Helmont, etc. – had anticipated his idea of the metamorphosis of the plant. This remark worried Goethe, not because he could not endure the thought of being anticipated (see his treatment of K. F. Wolff), but because this would have run counter to the meaning of man’s historical development as he saw it. ‘Why do I regard as essential the question whether Jungius conceived the idea of metamorphosis as we know it? My answer is, that it is most significant in the history of the sciences, when a penetrating and vitalizing maxim comes to be uttered. Therefore it is not only of importance that Jungius has not expressed this maxim; but it is of highest significance that he was positively unable to express it – as we boldly assert.’12

c20p103 chapter_20_text

c20p103

In this way the equation –
r13 / r23 = t12 / t22
assumes the form-
r13 / r23 = (t1 / t2) / (t2 / t1)
The right-hand side of the equation is now constituted by the double ratio of the linear values of the periods of two planets, and this is something with which we can connect a quite concrete idea.

c20p8 chapter_20_text

c20p8

By means of these observations we realize that the third type of force, in so far as it is active in man, has the capacity, by co-ordinating the physical and etheric parts of the organism in one way or another, to promote happenings either of a more corporeal or a more psychical nature – namely, motion at one pole, sensation at the other, and feeling in the middle between them.1 Remembering Goethe’s formula, ‘colours are deeds and sufferings of light’, we realize how deeply true the concepts were to which he was led by his way of developing observation and thought.

c20p11 chapter_20_text

c20p11

If we wish to understand why the same dynamic action working on the physical and etheric organisms of the plant, on the one hand, and of man and the animal, on the other, brings about effects so different, we must turn to the realm whence this action originates in both cases. For the animal and for man this realm is situated within their organisms because in addition to their individual physical and etheric organizations they are endowed also with an individual organization of the higher kind. Not so with the plant. For the rhythms of its growth, the successive formation of its various organs, the production of its colours, etc., the plant depends on outer conditions.

c20p28 chapter_20_text

c20p28

As the originator of the secondary polarities in earthly nature the astral realm must undoubtedly itself be structured polarically, one part of it forming the cause of all the happenings by which levity is brought into interaction with gravity, the other of all the happenings by which gravity is brought into interaction with levity. There must be a further part which is responsible for the establishment of the ‘mercurial’ mean between the two poles of the secondary polarity. This leads us to a threefold aspect of the astral realm.

c20p48 chapter_20_text

c20p48

Among all our sense-perceptions, sound is unique in making itself perceptible in two quite different ways – via the ear as a direct sense experience and via the eye (potentially also via the senses of touch and movement) in the form of certain mechanical movements, such as those of a string or a tuning fork. Hence the world-spectator, as soon as he began to investigate acoustic phenomena scientifically, found himself in a unique position. In all other fields of perception, with the exception of the purely mechanical processes, the transition to non-stereoscopic colourless observation had the effect that the world-content of the naive consciousness simply ceased to exist, leaving the ensuing hiatus to be filled in by a pattern of imagined kinematic happenings – for example, colour by ‘ether’-vibrations, heat by molecular movements. Not so in the sphere of acoustics. For here a part of the entire event, on account of its genuine kinetic character, remains a content of actual observation.

c20p67 chapter_20_text

c20p67

Psychologically, the difference between ear and eye is that aural perceptions work much more directly on the human will – that is, on the part of our astral organization connected with the limb system. Whereas eye-impressions stimulate us in the first place to think, ear-impressions stimulate us to … dance. The whole art of dancing, from its original sacred character up to its degenerate modern forms, is based upon the limb system being the recipient of acoustic impressions.